Showing posts with label Adrien Brody. Show all posts
Showing posts with label Adrien Brody. Show all posts

Sunday, May 4, 2014

Theatrical Review: The Grand Budapest Hotel


Date: May 4, 2014
Location: Pocono Community Theater
Time: 1pm

Party: 3 (my mom, sister & I)

Writer/Director: Wes Anderson


Duration: 100 minutes (+3 trailers)


Cast:
M. Gustave- Ralph Fiennes
Mr. [Zero] Moustafa- F. Murray Abraham
Zero- Tony Revolori
Madame D- Tilda Swinton
Heckels- Edward Norton
Dmitri- Adrien Brody
Jopling- Willem Dafoe
Agatha- Saoirse Ronan
Deputy Kovacs- Jeff Goldblum
M. Ivan- Billy Murray
M. Jean- Jason Schwartzman
M. Chuck- Owen Wilson
Young Writer- Jude Law

Theater & Previews:

We arrived a few minutes before the movie started. There was maybe a dozen other people in theater, most of them looked older than 50.

The first preview was for a Richard Linklater called "Boyhood," which I'd seen posters for on IMDB but don't know much about it. It sounds like it's a labor of love he spent 12 years slaving over and is unlike any movie you'd seen before. Something about following around a family for a dozen years and filming them, although I'm not sure if it's an actual family or they're all actors.

The second looked interesting. It was called "Words and Pictures," starring a very handsome Clive Owen and Juliette Binoche (who I know from "Chocolat") and they're teachers that develop an unusual relationship. He's a writer who's an English professor in danger of losing his job because he has a drinking problem. She's a newly arrived art teacher that's a little rough around the edges and fresh from an injury we'll likely hear about later in the film.

Then the third was "Dom Hemingway," which is said to be a Jude Law performance unlike any other... might be interesting to see down the road. He certainly can't do any worse than "The Talented Mr. Ripley" or "Closer".

Write-up:

Every now and then, we will take the trip downtown to see a movie not available locally. We'd been here maybe a handful of times, including the two Oscar winners I picked correctly (The King's Speech and The Artist), "Water for Elephants" and maybe one other that I'm forgetting.

I kinda expected this movie would be another one of those. For whatever reason, Wes Anderson movies are still deemed to be on the independent circuit so they don't come to all theaters.
Since its release date, I've said how much I want to see it, but it's not playing locally. Luckily, it finally did make it and my patience was well awarded.

When it comes to this particular writer/director, a few things are inevitable.
  • Bill Murray will be in it somewhere
  • We'll get at least one Wilson brother
  • The sets will be incredibly detailed, all the way down to the shelf knick-knacks
  • I'm going to compare it to "The Fantastic Mr. Fox" because it was my first Wes Anderson film.
I was attracted to "The Grand Budapest Hotel" because it looked like another quirky, fun Wes Anderson movie. A few months ago when it was just coming out, I watched the Behind the Scenes special about it on HBO and all of the reviews were positive. People were saying it was the best movie of the year so far.

I'm happy to say that all of the Wes Anderson movies I'd seen so far, this one has been my favorite... second only to "The Fantastic Mr. Fox".

Other than that, I'd seen "Moonrise Kingdom" which I thought was more serious than it had to be and "The Royal Tennebaums" which was so serious it bordered on depressing.

It's kinda hard to explain what "The Royal Budapest Hotel" is about. It starts out with a girl leaving a key at a statue dedicated to a man and she's reading a book named for the movie. We hear the narrative in voiceover and that leads us to the writer talking to a camera. We go back a couple decades and see the writer much younger (played by Jude Law) talking to the man who owned the hotel.

This man (played by F. Murray Abraham) tells us the story the majority of the movie goes into, following the concierge M. Gustave (Ralph Fiennes) and his loyal lobby boy Zero (newcomer Tony Revolori).

M. Gustave teaches Zero the ropes, telling him how a lobby boy treats the guests so well that he anticipates their needs before they do.
The hotel is located in a very exclusive, but beautiful location. The inside runs like a well-oiled machine, like something we'd only read about or see on film. Just wondrous to behold.
It's also suggested that M. Gustave takes such care of his guests that he meets their every need, some of which are sexual.

This movie is R-rated, but it goes as far as partial or brief nudity (some of this is in paintings and drawings on the walls) and the amount of cussing.
With the former, I was wary because I didn't want to expose my sister to too much. She was a little more concerned with the amount of cussing (she counted 13-14 f-bombs).

The plot takes off when one of the regular hotel guests passes away. He and Zero goes to her estate to pay respects and to see if she left anything in her will to him. Her will bequeathed to him a portrait known as "Boy with Apple."
Her family is all looking for their cut and is taken aback by the concierge's inclusion in the will. Her son Dmitri is the most vocal, very opposed to him getting the painting... for whatever reason :shrug: seems silly to me, but there's gotta be conflict somewhere.

When they arrive back at the hotel, the police are there looking from him... for some reason believing he killed her.
I saw this scene in the Behind the Scenes where he says "I knew something was suspicious, we never got the cause of death" and he proceeds to run from the authorities.

The movie progresses as he's put in jail, he and some inmates plan a break-out and another member of the Madame's family, Jopling, goes after the executor of her will.
Willem Dafoe plays this role almost like it was written for Christopher Walken. He's pretty hardcore about it, although I'm having trouble recalling if he has much dialogue.

The humor varies from being incredibly obvious to an actor randomly cussing up a storm when something doesn't go their way to something that takes a while for the laugh to hit. The pacing is slow at times. There was a period after the prison break scene where I found myself getting bored because not much was going on and there weren't many laughs to be had.

Another thing that can be expected in a Wes Anderson film is pacing. Often times, you'll have a scene where things race by you, both with the scenery and with the dialogue that it's hard to keep up. Then in the scene immediately afterwards, everything stops and it's almost so quiet you can hear a pin drop.

Probably my favorite part was the chase scene (and its hilarious resolution) where M. Gustave and Zero on a toboggan are chasing after Jopling on skis. You get all kinds of twists and turns. You see a sign that welcomes us to the sight of the local winter games (how timely of them :-P), which includes slaloms, ski jumps and sledding tracks. I won't give away the resolution, but it's unexpected and one of the best laughs of the entire movie.

Pretty much all of the actors are great in this. It's certainly interesting to see Ralph Fiennes do a comedic role after only knowing him as Voldemort for the past several years :-P
Most of the cast members, Wes Anderson has worked with before, including Jason Schwartzman (who I will give his due in my "Fantastic Mr. Fox" review), Edward Norton and Jude Law.

Overall, I found it very enjoyable. The details and quirks were as I expected them to be but there were plenty of surprises in between. The scenery was often vast and the fact it takes place in wintertime with plenty of snowflakes... I just love that, it makes it all look so beautiful.
Yeah, winter does suck and the fact we've had so much snow this year sucks, but I'm a sucker for great winter scenery. My "Frozen" review went into it quite a bit ;)

In its constructs, it's probably the best realized movie I'd seen so far this year. I didn't fully enjoy it as much as some of the other ones I'd seen so far, but it was very satisfying.
I guess you could say it's a sleeper hit in that the enjoyment comes in small subtle doses and doesn't hit as many highs as it could have.

Grade: B+

Wednesday, February 5, 2014

41. Midnight in Paris (2011)


Code-name: Nostalgia


Writer/Director: Woody Allen
Type: Fantasy, Drama, Romance

Cast:
[Mortals]
Gil Pender- Owen Wilson
Inez- Rachel McAdams
Inez's mother, Helen- Mimi Kenndedy
Inez's father, John- Kurt Fuller
Paul- Michael Sheen
Carol- Nina Arianda
Tour Guide- Carla Bruni
Gabrielle- Lea Seydoux
Adriana- Marion Cotillard
[Immortal Greats of the Arts]
1920's
Zelda Fitzgerald-Alison Pill
F. Scott Fitzgerald- Tom Hiddleston
Cole Porter- Yves Heck
Ernest Hemingway- Corey Stoll
Gertude Stein- Kathy Bates
Pablo Picasso- Marcial Di Fonzo Bo
T.S. Eliot- David Lowe
Salvador Dali- Adrien Brody
Henri Matisse- Yves-Antoine Spoto
1890's
Toulouse Lautrec- Vincent Menjou Cortes
Degas- François Rostain
Gauguin- Olivier Rabourdin

Awards & Nominations:
OSCAR- Best Original Screenplay (Woody Allen)
nomination- OSCAR- Best Picture
nomination- OSCAR- Best Director (Woody Allen)
nomination- OSCAR- Best Art Direction
Golden Globe- Best Original Screenplay (Woody Allen)
nomination- Golden Globe- Best Actor (Comedy/Musical)- Owen Wilson
nomination- Golden Globe- Best Picture (Comedy/Musical)
nomination- Golden Globe- Best Director (Woody Allen)
AFI- Best Film of the Year
Grammy- Best Compilation Soundtrack for Visual Media

Write-up:

[On a Whim...]

As a general rule, I usually don't like to buy movies without seeing them first. But in the rare occasion that I do, it works out pretty well. The one thing it didn't... well, I'm willing to give "The Big Lebowski" another shot. It just wasn't at all what I expected. I'll never make that mistake with Coen Brothers films again.(While on the subject, I loved "Burned After Reading" and really enjoyed "Fargo").

I've heard of "Midnight in Paris," but only who was in it and it was already up for several Golden Globes. I had trouble imagining Owen Wilson as a serious contender for Best Actor.
I remember watching the awards show and seeing it win Best Original Screenplay (Woody Allen wasn't present to accept).

Then the following night I had the most unusual dream that made me take the gamble of buying it... On a good night, I'm a vivid dreamer and often times, celebrities star in them with or without me.
The dream was as follows: I was in a relationship with Rachel McAdams and I had serious thoughts about cheating on her with Owen Wilson, who I happened to be good friends with and was venting to about the current lull in said relationship.
I'd go further, but the entry as a whole would do better if I kept my mental dialogue out of it. For the record, I am straight :-P but I don't mind divulging when I have a girl crush.

So yeah, probably the strangest reason to pick up a movie... and this worked out better than I could have imagined. To me, "Midnight in Paris" was one of those "life-changing" movies because I was a different person after seeing it.

[Plot]

Before I get too ahead of myself, here's the plot in a nutshell:

Gil Pender (Owen Wilson) is a former Hollywood screenwriter struggling with his first novel. He's vacationing in Paris, his favorite city in the world, with his fiancĂ© Inez and her parents. While returning home from a wine tasting, he stumbles upon an old Peugeot, which transports him into 1920's Paris... which happens to be teeming with his personal heroes of art and literature.


[Old Friends and New Friends]
Spoilers Start Sprinkling in from this point on...

As if picking up where they left off in "Wedding Crashers" (just change the names and add in new people), Owen Wilson and Rachel McAdams play an engaged couple vacationing in Paris with her parents. Except the movie becomes less about them as a couple and more about Gil (Owen Wilson) finding himself as a writer alongside his personal heroes.

Up to this point, the only Woody Allen movie I ever saw was "Antz." Yeah, I know, it's animated and he didn't write/direct it, so it really shouldn't count. But as I got lost in the fantasy of this movie and the depth of its dialogue, I instantly became a fan.

2010 had quite a few movies I enjoyed because their scripts were fresh and different. Often times, they were comedic in nature and made jokes out of things people think but often won't say aloud. Having said that, "Midnight in Paris" stood out to me because it was probably the cleverest writing I'd seen in a movie. I related so much to Gil Pender as a fellow writer and in that he's such a dreamer. To be real, nobody outside of movies talks the way he does, but the way he explained things... it's hard to describe, exactly, but I agreed with his way of thinking. Other characters too. They often address commonplace things and editorialize what they see. The dialogue has a lot of depth and more than enough room to breathe so you can take it in at your own pace.
I wanna say it's a writer/director thing, but it might just be a Woody Allen thing. This movie convinced me to give "Annie Hall" a shot (which I enjoyed quite a bit), but I need to see more of his work to be absolutely sure.

As much as I liked Rachel McAdams's look in this movie, I liked her character less and less as the movie went on. It's so strange how the two seem so in love at the beginning, but over time, you start to wonder why they're even together because their ideals are so different. Gil's a dreamer, but Inez and her family are wealthy realists. There's a conversation in the beginning where he and her father (Kurt Fuller, who I know as Woody the M.E. in "Psych") butt heads. Gil is absolutely in love with Paris and his would-be father-in-law looks down on it. He says how much he hates their politics because they never pledged their support to America. Gil backs them up, saying they probably didn't want to follow us "down that rabbit hole" in Iraq...

So he gets the impression (from this as well a comment he made about the Tea Party) that Gil is a communist because he doesn't agree with him.
Again, I don't want to get off topic, but that closed-minded-ness just annoyed the hell out of me.

Even more annoying was the character of Paul. (I'd only seen him previously as Aro of The Volturi in the "Twilight" films). When they weren't spending time with her parents, Gil gets dragged into spending time with Inez's college friend, Paul and his wife, Carol. They'd spend time in certain artistic areas of the city and Paul would give them tours as if he knew EVERYTHING. Like he's an expert in fine art, wine and so many other things and Inez eats it up as if he's Jesus Christ.
As it turns out, there is a word for someone like him, which shows up in the book Gil is writing about the man working in the nostalgia shop.
 
Pedantic: (adj) someone who makes a show of knowledge

Two scenes I find particular infuriating involving him:
  • he argues with an actual tour guide (played by the actual wife of France's then-President, Nicolas Sarkozy) over who inspired Rodin
  • they're in an art museum and happen to stumble across the Picasso painting Gil saw the night before at Gertude Stein's... he tries to explain the truth, but Inez thinks he's high. Earlier in this scene, she also tells him to shut up, adding "you might learn something," as if Paul's word is always true and Gil's wrong even when he isn't.
Could it be more obviously that Rachel McAdams and Michael Sheen were dating at the time?

Out of the actors who play the historic figures, Adrien Brody (an oddly hilarious Salavador Dali who seems to be obsessed with rhinoceroses), Kathy Bates (a very helpful Gertude Stein) and Zelda (Alison Pill, who I briefly mentioned in "Scott Pilgrim") and Scott Fitzgerald (Loki himself, Tom HIddleston) were the only ones I recognized.
Then there was Marion Cotlillard who played fellow dreamer and artist groupie Adriana, who I'd only previously seen in "Inception," but this would become the role I'd forever associate with her. Not just because I love her in flapper fashion, but I loved the relationship between her and Gil. How they have so much in common, how she almost proved to be more compatible with him than Inez. You're just drawn to her immediately.

All of the renderings were on point. You truly believed that they were these historical figures. How F. Scott Fitzgerald used the term "Old Sport" as his character Gatsby did regularly. How Dali and the other surrealists were so out there in the matter of speaking. Probably the most convincing was the dude who played Hemingway. He was SO hard-core and intense. I thought Corey Stoll deserved a little awards recognition for this portrayal.

[Golden Age Syndrome]

My code-name for this movie was "nostalgia" for a number of reasons.
Gil's protagonist is a man that works in a nostalgia shop, which sells memorabilia and such. He wishes he lived in 1920's Paris because it was a time period that inspired many of his heroes and he'd like to have that experience as well. 

Then there's a side-plot later on where he and Adriana stumble across a horse-drawn carriage that takes them to Paris in the 1890's, a time she wishes she could disappear into. There, they meet artists Degas and Gauguin who long to be in the Renaissance. This more or less puts an end to Gil's romance with Adriana because he realizes he'd only been escaping into the 20's to run away from things in his own life.

In a way, I can relate to this phenomenon as well. I'm particularly nostalgic for the pop culture of the 80's. I was born in 1986, so I'm really fascinated with this decade. Some of my favorite movies and some of the best music comes from the 80's.
After seeing this movie, would I still take the chance of visiting the decade? Absolutely. But I never want to get to the point where I get tired of it.

[Souvenirs]

Aside from a couple of actors, I got a lot of other things out of this movie. Paris was shown in such a gorgeous way that I have even more reasons to want to go visit. The way the film is shot, how Gil and some of the other character speak so lovingly about the city... it's breathtaking. It brings out the romantic in you, but here they show it in ways you don't quite expect.

Before the film, I'd read Fitzgerald and Hemingway and knew of Dali and Picasso. Afterwards, I became acquainted with Gertude Stein, Matisse, Degas and Gauguin... I want to get to know their works... if only to be better prepared for the category in Jeopardy 8-) and I'm always up for getting more culture in the arts. Open my mind to new and different experiences, kinda the way I did in Chinese culture when we covered the different religions and art forms.

...ironically, I'm posting this on Michael Sheen's 45th birthday. Except for Aro, it seems like every other role I see him in, I just want to punch him in the face :-P he never seems to play any likable characters